What started out as a discussion about the best way to format your audition, became a bit of an insight into how the other end approach Auditioning the Auditions. What makes the studio or casting director turn off? What might be the technical...
What makes the studio or casting director turn off? What might be the technical differences between getting and NOT getting the job, even if you DO have the best read? And why do Robbo and Robert disagree on one very big point?
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